We left York on Tuesday and made our way south to Wellington in Shropshire. Driving on the left was less difficult than I had imagined. The roundabouts posed the most challenge, at least for me. The rental car (“hired car”) was a five speed and the gear shift was on the left. This had been a source of some anxiety before I started driving yet turned out to be no problem at all.
Wellington is the home of my second cousin, Brian Banks. We spent a couple of days with Brian and his wife, Denise, exploring County Shropshire, which has some fascinating history. It is also the home of my maternal ancestors.
Shropshire is where the industrial revolution started when Abraham Darby began smelting iron with inexpensive and abundant coke. It became Britain’s first iron-making center and was, at one time, filled with blast furnaces and smoke. The first rails, wheels, and steam locomotive were produced in Shropshire, as well as a magnificent iron bridge, pictured below, completed in 1779.

Shropshire was also the site of the Coalport China Works which produced some of the most exquisite hand painted bone china in the world. Much of it was never used and saved instead for display as the pieces are truly works of art.
My mother’s family hails from this part of England. I remember letters arriving when I was a young girl from many of the towns we drove through. I had always tried to imagine what the towns and people were like back then, as my mother shared the letters and what she knew of the family history.
Mom never traveled to the UK and so never had the opportunities I have been blessed with. Her life is coming to a close back home and she is now in hospice care, bedridden and only occasionally lucid. I have tried to see Shropshire with her eyes, for her, and in a very real sense she has been with me as I explored the places she held dear.
On to Stratford:
We arrived in Stratford-Upon-Avon late Wednesday afternoon, unloaded the luggage at the Penrose Guest House and headed to the Royal Shakespeare Theatre for a backstage tour. As tours go it was nothing special with two notable exceptions. The first is that we were allowed on the set for The Tempest which was to be performed that evening. It was great fun to view the theatre from the actors’ perspective.
Even better, as our group was leaving the stage, Patrick Stewart walked on for a sound check. Our guide moved us along as she said Patrick wouldn’t want to be gawked at (which we certainly would have done). I was at the tail end of the group and was looking back toward the stage when Patrick, having completed the sound check, strode purposefully toward us, head down, hands in pockets. He looked up, saw the group, turned on his heel and went back the way he’d come. That was absolutely the best part of the tour!
We were in the audience later for The Tempest. It has been said that the Royal Shakespeare Company (RSC) is the best Shakespeare company in the world and after the performance we saw I am inclined to agree. The opening scene with the ship in the storm was amazing. The audience viewed the action through a porthole into the radio room of the ship while the tempest raged outside; created by a multimedia display of waves crashing, wind, etc.
This was a dark Tempest, staged on a barren, arctic landscape. Arial was a ghostly figure, hunched and pale, rather than a charming sprite. Best of all, was Patrick’s Prospero. He mined the dark side of the character, exhibiting the rage and spitefulness often missing from some of the portrayals I have seen. For me, it made the closing scenes of redemption and forgiveness all the more powerful.